The movie the virgin suicides

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I grew up with a lot of men. It was me and nine boys, once you count all my brothers and cousins. My dad, Francis Ford Coppola, was a macho film-maker and his friends were all of that ilk, so I think I really clung to femininity and a kind of girly aesthetic.

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Sign in. We gaze into our crystal ball to look at seven Toronto International Film Festival titles to watch for come awards season. Watch the video.

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A male narrator speaks about the time, 25 years ago, when he and his friends knew the beautiful Lisbon sisters who lived in an exclusive suburb of Detroit. There were five of them, aged between 13 and 17, and were carefully reared by their possessive, repressed parents, played by James Woods and Kathleen Turner. Cecilia, Hanna Hallwas the first to exhibit suicidal tendencies This strange, haunting film is the first directed by Sofia Coppola, and she adapted it from the book by Jeffrey Eugenides.

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Even the five Lisbon sisters seemed like some mirror of me and my four younger sisters—I knew the peculiarity of a household filled with girls, the feverish swapping of clothes, the rituals and ablutions, experiencing adolescence like some long-standing illness from which we all suffered. It was exhausting to live that way, believing in the significance of every feeling, tracking every minor emotional shift. But still: sometimes I miss it.

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Both films deal with difficult themes relating to female coming of age. Then we catch a glimpse of a torn, blood-stained night dress. Tensions heighten within the household, a friction that sends its female residents reeling.

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Going to the movies with friends was usually rare for me. The Virgin Suicides was a film that I happened to watch on a loop when I was fourteen years old. It was provocative, depressing and strange; just a few of my favorite things!

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Feel free to pitch in or suggest your own discussion points. This is a debut feature where the production design had to be calculated at every step to create a specific look and feel. Virgin Suicides is a highly controlled piece, with a very specific look: gauzy, dreamlike cinematography that lays a soft wash over all the specifics of period clothes and cars.

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Grosse Pointe, Michigan. The mids. Cecilia Lisbon Hannah R Hall - at 13, the youngest of the five Lisbon sisters - has recently been discharged from hospital after an unsuccessful suicide attempt.

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Their lives fascinate the local boys at their school in Grosse Pointe, Mich. The movie starts when the youngest of the girls, Cecilia Hanna Hallattempts suicide. The girls act like carefree sprites unbridled by sadness or loss in the sequence, which at this point in the story, is far from the truth. The Lisbons are a strict, religious family and the cross is a near constant visual motif.

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