Death of the virgin

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Support the:. Not many artists can pack such intense emotion into a few feet of canvas as Caravaggio, the bad boy of Roman art. He was a drinker, a Casanova some say bi-sexuala brawler, and after a fight over a tennis match that went bad, a murderer.

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Death of the Virgin is a painting completed by the Italian Baroque master Caravaggio. When he painted The Death of the Virgin c. Giulio Mancini thought Caravaggio modelled a prostitute, possibly his mistress, as the Virgin.

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If you're seeing this message, it means we're having trouble loading external resources on our website. To log in and use all the features of Khan Academy, please enable JavaScript in your browser. Bernini, Pluto and Proserpina.

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The Death of the Virgin By Caravaggio. Considered to be one of the Greatest Paintings Ever. For an explanation of other important pictures from the Baroque era, see: Famous Paintings Analyzed

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This, the largest picture that Caravaggio had yet produced, did not end up in the place for which it was made. In a papal legal adviser, Laerzio Cherubini, commissioned a Death of the Virgin for the Carmelite church of Santa Maria della Scala in Trastevere; it was to be finished by When they saw it, the friars found it alarming, because the Madonna was modelled on a prostitute with whom Caravaggio was in love according to Mancinibecause her legs were exposed Baglionebecause her swollen body was too realistic Bellori - for whichever reason, they felt prompted to reject it.

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When he painted The Death of the Virgin c. The painting was commissioned by Laerzio Cherubinia papal lawyer, for his chapel in the Carmelite church of Santa Maria della Scala in TrastevereRome ; the painting could not have been finished before The depiction of the Death of the Virgin caused a contemporary stir, and was rejected as unfit by the parish.

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Traditionally the Transit of the Virgin, to which the chapel was dedicated, is depicted as a transcendental event - the Virgin usually makes some pious gesture, her soul is sometimes shown flying heavenward, and clouds of angels often appear. Caravaggio, freed from the burden of doctrine imposed by The Madonna of the Groomspresented the unrelieved sorrow of an ordinary mortal death. Mary lies on a kind of litter, a poor woman, plainly dressed and barefoot, too weak to have crossed her hands in prayer and too worn even to welcome the release of death.

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The bad boy of the Italian Baroque period, Michelangelo Mersi da Caravaggio intensified the drama of his paintings through the technique of tenebrismthe interplay of light and shadow in an image. As legend has it the painting was rejected by church officials due to its realistic portrayl of death. It is a dramatic scene filled with death and sadness.

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