David Lynch, Eraserhead, 35 mm, black-and-white, sound, 89 minutes. Henry Spencer John Nance. Photo: Catherine Coulson.
After a couple days of hemming and hawing, I decided to join the protesters of Occupy Wall Street. I was hesitant to go because until very recently, I worked as an administrative assistant at a prominent Wall Street law firm. He was for income equality.
Well, seeing as there are literally no women in the 19th century world of commerce that we see here, any question of heterosexuality is simply a non-issue. As with most Melville texts, an argument could be made for the presence of some very, very faint homosexual undertones — however, in this story, it's not really much to base an argument on. While some might claim that the Narrator's interest in Bartleby is really some kind of deeply hidden desire for Bartleby, we feel that this is much more a story about the nature of humanity — what makes Bartleby fascinating is simply the incomprehensibility of his character. As far as sex is concerned, there's nothing to see here, folks.
The female body has long been an unruly subject, and a favorite one for women writers seeking to throw a wrench into the societal machinery. At the heart of all three books is an inherent chasm between body and mind, between physical demands and societal rules. Moshfegh, a young and acclaimed writer whose thriller, Eileen, was a finalist for the Man Booker Prize, is adept at crafting dark, compelling female characters who violate the rules of femininity.
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Part office comedy, part ghost story, part Zen koan, the text seems determined to subvert the expectations of its reader. No wonder some critics have read the story as Herman Melville offering a middle finger to the literary establishment of his day. His kaleidoscopic novel-encyclopedia-poem about whaling had not been a hit; his Gothic romance about incest and the publishing world had not been a hit; he had lost the allegiance of the literary figures he considered his allies; and he was dangerously low on money.
In the story, a Wall Street lawyer hires a new clerk who, after an initial bout of hard work, refuses to make copy or do any other task required of him, with the words "I would prefer not to". Numerous critical essays have been published on the story, which scholar Robert Milder describes as "unquestionably the masterpiece of the short fiction" in the Melville canon. The narrator is an elderly, unnamed Manhattan lawyer with a comfortable business in legal documents, he already employs two scrivenersNippers and Turkey, to copy legal documents by hand, but an increase in business leads him to advertise for a third.
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Herman Melville 1 August — 28 September was an American novelist, essayist, and poet. Main article: The Confidence-Man. Misattributed [ edit ] We cannot live only for ourselves. A thousand fibers connect us with our fellow men; and along these fibers, as sympathetic threads, our actions run as causes, and they come back to us as effects.